Aidan Zev Meyer | Video Editor
About Me
Bio
I'm an LA-based Video Editor with experience working at major networks as well as boutique post-production houses. With over 7 years of experience in the industry I'm looking forward to any freelance opportunities you may have.
I have an MFA in Post-Production from CUNY Brooklyn's graduate film school, Feirstein Graduate School of Cinema.
Expertise
I am an Avid Media Composer Certified User. I also have extensive experience with other creative programs in the Adobe Creative Suite.
I'm trained in other aspects of post-production such as sound design, motion graphics, and basic color correction. I have experience on set working as DIT, and in the sound department.
Work with Me
I'm always looking for freelance projects!
Get in touch via email at azm1920@gmail.com.
While I would prefer video editing assignments, I'm an experienced assistant editor, and am happy to prep post-production drives and projects for a reduced fee.
Contact
azm1920@gmail.com
2017 New York Innovative Theater Awards
Outstanding Sound Design
The Red Room // Aidan Zev Meyer
The design was split between localized diegetic effects along with abstract heightened emotional beats. The content of the play was dramatic yet dark, so I wanted to increase the sense of tension without overshadowing the amazing performances. It was both fun and challenging to achieve this design, and I'm honored to have even been nominated. It feels strange to actually win the award. I never expected to be chosen, and I'm proud to have been successful in my support of this production.
Press
Unhealthy
"The sound design by Aidan Meyer included a very interesting blend of music and voices. It was the “uh oh, bad things are coming” cue. It may have been on point but it certainly added to the moment."
Michael Block
- Theater In The Now
Slaughterhouse Five
" . . . but the audience didn’t seem to care. It was enough to hear the sci-fi sound effect signifying that Billy Pilgrim (Jamie Effros), Vonnegut’s World War II soldier, was time traveling again,"
Neil Genzlinger
- The New York Times ArtsBeat blog